Opera in four acts by Dmitri Shostakovich (1906 - 1975) Libretto by Dmitri Shostakovich and Alexander Preis after 'Lady Macbeth of the Mtsensk District' by Nikolai Leskov First performance in Moscow, Stanislavsky-Nemirovich-Danchenko Music Theatre, 8 January 1963

Katerina Izmailova is a filmization of Dmitry Shostakovich's long-suppressed 1936 opera. Galina Vishnevskaya stars as Katerina, a bored 19th century farm wife. At the behest of her grungy lover, Katerina murders her husband and her father-in-law. She and her new beau are both sent to Siberia, where the lover almost immediately takes up with a younger woman. Banned by Stalin for its bleak portrait of Soviet life, Katerina Izmailova was not given a Russian staging for over 40 years; its Metropolitan Opera debut did not occur until 1994.

暂无剧情简介

暂无剧情简介

暂无剧情简介

暂无剧情简介

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

在2025年韦尔比耶音乐节上，法国钢琴大师亚历山大·坎托罗夫（他于2024年荣获极负盛名的吉尔摩艺术家奖）将目标锁定在拉赫玛尼诺夫最著名的作品之一上，与激情四溢的指挥家特奥多尔·库伦齐斯以及韦尔比耶音乐节管弦乐团一同演绎。该乐团还将以肖斯塔科维奇标志性的《第五交响曲》纪念肖斯塔科维奇逝世50周年！坎托罗夫……

In commemoration of the 40th anniversary of Dmitri Shostakovich's death in 2015, filmmaker Reiner Moritz produced his documentary Dmitri Shostakovich, A Man of Many Faces. With British actor John Hurt as narrator, Moritz examines Shostakovich's life, focusing in on two events in particular: the 1936 banning of his highly successful opera Lady Mabeth of the Mtsensk District, and the composer's labelling as a "formalist and cosmopolitan" in 1948. Despite such setbacks, Shostakovich went on to pursue a resilient and fulfilling career that testifies to the power of art in the face of a dictatorial terror regime. In telling his story, Mortiz weaves together rare footage of the composer himself talking and performing his Concerto for Piano, Trumpet, and Strings with captivating performances of his 15 symphonies and 6 concertos by Valery Gergiev and the Mariinsky Orchestra and filmed excerpts of Lady Macbeth and his quartets.

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